From the beginning on I had the feeling this one belongs to the more demanding virtuosic pieces. It captures the full sound and magic of the original, no doubts. Ive always wondered how he creates such varied and incredible interpretations of these well-known songs. Although, it tends to be loud and passionate, it doesnt lost its beautifulness. The only (general) thing I still have a little trouble with is Jarrods strange notation; for example sometimes he notates a whole note at a beginning measure, eventhough the concerning hand immediately goes two octaves higher or there is a high jump between octaves (which by the way is characteristic for Virtuosic Piano Soli). Whatever, I cant hold it. Another point regards the desired articulation. No matter how this man is able to do it, but when I have look at many arrangements I see some very fast passages, which should be played nonlegato like measure 4 of this song (the 64th notes) or The Lord Of The Rings Medley(!!!!). So if you read this one day Mr. Radnich, you hopefully can help on this alltime favourite (-: Nevertheless, I really enjoyed learning Nights In White Satin.